The Marché Dauphine and the Marché Biron are teaming up again in 2024 to present the 6th edition of “Un Marchand, Un Artiste”. Each merchant will welcome an artist of their choice (craftsman, designer, stylist, etc.) to their stand.
Guest artists :
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GALERIE RICARDO FERNANDES
Stand 95
Ricardo Fernandes will be presenting the work of Lita Cerqueira in his gallery from 27 to 30 June.
Exhibition Portrait of an artist with works by Lita Cerqueira.
Lita Cerqueira is obstinate and daring. Thanks to this obstinacy, she has built up a body of work that retraces contemporary Afro-Brazilian history and, without really being aware of it, her persistence has led her to an art form that has given her the chance to change her life. The “Quilombo” of the armed struggle has come to an end, replaced by that of the intellectual struggle, in which Lita Cerqueira is still actively involved, and which has given birth to Brazilian cinema, samba, dance and the creation of Brazilian culture. Lita Cerqueira’s gaze sweeps the earth, demystifies life and embellishes everything that is beyond what we perceive at first glance.
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LIBRAIRIE AMK
Stand 207
Anne-Marie Kucharski will be presenting the work of artists ArteMysia & Phillipe Joubert Lussac on her stand.
A self-taught artist, ArteMysia likes to tell stories and create atmospheres using paper, photos, fabrics or old documents. Surreal or melancholy, her compositions call for silence and contemplation, but also question our inner worlds and the fragility of life.

Philippe Joubert Lussac trained in silver printing techniques at the Maison du Mexique photographic club and took up painting at the Beaux-Arts de Paris. In 2000, he exhibited his work for the first time at the exhibition of visual artists at the Cité Internationale Universitaire in Paris. Passionate about images as well as writing, he opened the blog Gris-bleu.fr at the end of 2006 to showcase his creative work: highly polished digital works that combine his drawings and photographs with archive documents. In 2011, he won the 5th photography competition organised by the town of Dax. The recurring themes in his work are the passage of time, childhood mourning and lightness. Themes that are both universal and intimate, expressing themselves in mystery and poetry.
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VELVET GALERIE
Stand 27
Benoit Ramognino will be presenting the work of artist Cyril Bartolo, with an exhibition entitled Saveurs d’enfance on his stand.
A series of decorative works created from original publications, books, magazines, original albums and period newspapers, cut out then glued and patiently arranged on linen canvases. Each unique collage is accompanied by César masks corresponding to the theme chosen for the backgrounds. The end result of this mix of techniques, materials and textures gives relief to the old comic books and an ideal decorative environment for the vintage masks from César. Each piece is unique. A true declaration of love for all our childhood friends, a real tribute to the heroes of our youth and to the television world of cartoons from the 1950s to 2000. All these TV characters were alive through our childhood eyes…Time travel guaranteed…
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MARYAM AHI GALLERY
Stand 57
Maryam AHI will be presenting the work of artists Majid Ahmadi, Madhi Dashti, Hossein Ehsai, Ali Jamshidi, Vahid Mohammadi, Keyvan Roshanbin, Medhi Mirbagheri, Saviz Schalchian and Behrouz Zindashti in an exhibition entitled Deep Blue at her gallery.

Majid Ahmadi: ” I’ma curious observer, fascinated by complex issues. Looking at the world of machines, I realised that this strange world was totally unknown to me. To understand it, I studied everything about it. My training in civil engineering made me aware of the diversity of materials and gave me experience in this field. As my speciality isn’t art, I’ve been able to see this world from my own point of view. For me, this world is an opportunity to study the nature of things in the relationship between man and machine”.

Medhi Dashti: ” In my work, I have shown the contrast between the city and its derivatives, and I consider human beings to be an important part of this city and this country, and I believe that the existence of sad and depressed human beings can cause the death of a city or a country and even a culture. The proof of this sadness is that which is represented with eyes closed and independently of the presence of the public, and which refers to the despair of human beings today and of the environment that surrounds them and the world, and also expresses a kind of protest against the fact that there has never been an opportunity to express it “.

Ali Jamshidi

His artistic journey began in 1972 at the Centre for the Intellectual Development of Children and Young Adults, where he began to nurture his passion for creativity.

Throughout his career, Jamshidi has immersed himself in the subtleties of different artistic styles, acquiring an in-depth knowledge of traditional Iranian art forms from the Safavid to the Qajar era. His expertise covers a wide range of fields, including the exquisite art of miniature painting, the finesse of illumination, the subtleties of carpet design and the timeless beauty of calligraphy. Her mastery in these areas is underlined by the prestigious Higher Diploma in Calligraphy awarded to her by the Iranian Calligraphers Association.

Vahid Mohammadi
Born in 1982 in Zanjan, Iran. He graduated from Shahed University in Tehran in 2004. Since then, he has worked as one of the main artists at the Atbin art gallery in Tehran, Iran, with an average of 20 paintings presented each year. The Maryam Ahi Gallery has chosen Vahid Mohammadi as an Iranian artist expressing himself through abstraction.

Medhi Mirbagheri
Contemporary Iranian artist born in 1980 in Tehran. From his early years of training he chose to turn to new media and to mix different techniques (photography, graphics, painting, collage) to develop his own visual identity, experimenting with video installations and performances. From 2008 onwards he turned to Pop Art, creating works based on the pictorial codes inherited from Lichtenstein, which he blends with Arabic and Persian calligraphy.

Saviz Schalchian
Saviz’s work can best be described as impressionistic surrealism with conceptual thinking behind his creations. At the age of eight, he began studying with the master Abbas Katouzian, where he mastered his unique and elegant style in oils. Saviz’s work, although essentially figurative, is nonetheless…

Keyvan Roshanbin
Keyvan Roshanbin: “Mysterious gardens” “What is it about a cluster of plants that can be called a garden? Contrary to the common definition of a garden, mine has no barriers, no restrictions and no space. I can’t even say what kind of plants they contain… For me, gardens are limited to my vision of nature. They have no order or arrangement; they are confused like me and my environment. My gardens have lost their symmetry and are left without a gardener. Without a full, elegant gardener. They have been poured over and have a poetic quality. I had no intention of drawing anything all this time, I was thinking about the mysterious lost beauty of Iranian gardens. Iranian gardens without gardeners and enchanted. ”

Behrouz Zindashti
Born in 1978 in Salmas, Iran. Behrouz Sharifi Zindashti is a calligrapher, graphic designer and lecturer in Tehran. He has been awarded the honorary distinction of the Iran Calligraphy Association. He gives lessons in calligraphy and letter design, typography, writing history and connected theoretical discussions. His articles have been published. His work is exhibited in international exhibitions and art fairs such as that of Vienna or the Dubai Art Fair, group exhibitions in Zurich and Geneva.
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ROZALI’ART GALLERY
Stand 71-72
Rozalia Remy will be presenting the work of contemporary Japanese artist Kunio Kaneko, who will be showing us all his precious limited edition Japanese prints. Set against a backdrop of gold or silver leaf, Kunio Kaneko, a contemporary Japanese artist, takes us back to traditional Japan through his prints, which add a touch of luxury thanks to the gold or silver he uses. Kunio Kaneko defines himself as a modern man in an ancestral art.
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FINE ARTS FRANCE
Stand 50
Michel and Hélène Cabotse will be presenting the work of three artists: Delphine Liard-Rateau, ceramist, Olesia Kaïra painter and Patricia Cabotse collage artist.

Delphine Liard-Rateau
Deaf artist, Parisian, aged 48. Graduated in textile design in 2000 from the Conte/Neufville textile art school in Paris. Delphine used to work for Frey/Le Manach – Paris in the high-end furniture publishing sector. Delphine discovered her passion for ceramics around 5 years ago at a workshop run by the City of Paris. ” I quickly fell in love with the way an object is made, the clay, the glazing, the throwing; I used to be a sculptor, but what a pleasure it is to see the glaze on my pieces after they’ve been fired! Each piece is unique, and I don’t like repetition, but exploring new things and finding new shapes. My imagination is nourished by nature, vegetation, animals, arts and crafts, travelling and visiting museums and exhibitions.

Olesia Kaïra
Born in the Ukraine, Olesia Kaïra is a self-taught artist, trained on her own through contact with nature and a vivacious passion for flowers, plants and vegetation, literally absorbed by the complex technique of watercolour. Little by little, she devoted herself to what she describes as “flower portraits”, endeavouring to convey what makes each flower so special, its deep-rooted characteristics, almost its very scent. Rather than endeavouring to render a descriptive or supposedly scientific and naturalistic vision of them, she seeks to observe them in their most intimate reflections, to transcend the observation of reality, to restore “the beauty of imperfection”. Her technique, still based on the use of watercolour, is increasingly elaborate, taking advantage of glazes, rubbing and successive reworking of the subject until the desired effect is achieved.

Patricia Cabotse
These fragmented images are cut out entirely by hand from various magazines and offset paper supports, and then spray-pasted on to absorb the slightest irregularity between the support and the image. ” My sources of inspiration come mainly from architecture, art history and nature. The frames I use are gleaned at random from my ‘hunts’ and chosen according to the work being created. It’s important that they already have a life of their own, just like the elements in the collages. It’s a way of transcending the ordinary while respecting objects that have already had a life… In fact, each collage is original and unique.
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DOMINIQUE SAINT MARTIN
Stand 8 – 11
Dominique Saint-martin will be presenting the work of Cynthia Zahar, set designer, art director, interior architect, chandelier and jewellery designer.
Larger-scale architectural projects (restaurants, art galleries, flats, boutiques and fashion designers’ studios) have enabled her to open her own architectural practice.
Her love of antique objects is never far away, and she has been designing and making chandeliers for public spaces and flats for 20 years. Her chandeliers are made using objects that are close to her heart. Syrian bowls with Khol containers as ‘totems’, metallic flowers and spoons with their dripping paint, vintage buttons, trimmings and, above all, old metal tins, crockery and cake moulds. The aim of all his work is always the same: to give new life to all these objects from another time, to preserve and share their memory in the present and for the future.
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BELLADONE
Stand 55
If a painting is “an open window on the world”, for the artist, engraving is a mirror.
Florence Joseph is a printmaker. While studying Art History, she was introduced to engraving (etching, aquatint, sugar, etc.) by Joëlle Serve at Atelier 63, to drypoint and Chine-collé by Didier Hamey and Muriel Moreau, and to various printmaking techniques over the years (taille d’épargne, linogravure, monotype, etc.). Her engravings explore the dreamlike, the impossible, the fantastic and the fantastic. She currently works at the Atelier Contrepoint (Paris).
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Un marchand / Un artiste, 2024 edition
from Saturday April 27 to Sunday June 2, 2024

NOCTURNE SATURDAY 27 APRIL UNTIL 10PM

Marché Dauphine
132-140 rue des Rosiers
93400 Saint Ouen
Saturday: 10 a.m. – 6 p.m.
Sunday: 10 a.m. – 6 p.m.
Monday: 11 a.m. – 5 p.m.